8/5/2023 0 Comments Trine dyrholm frisure![]() ![]() Her singing voice is a hollow drone, and her speaking voice is inflected with an almost senile rudeness. Convincingly reanimated by the great Danish actress Trine Dyrholm, this Nico has bags under her eyes and bruises around the needle holes in her feet. Where to Watch This Week’s New Movies, from an Expanding ‘Asteroid City’ to ‘No Hard Feelings’Ī defiantly anti-dramatic chronicle of the European tour that turned out to be Nico’s last, Nicchiarelli’s film is not the story of a woman who’s sad to be in her forties - if anything, it’s the story of a woman who’s so happy to be invisible that she’s done everything in her power to speed up the process. ![]() Lead vocals on there songs, some mindless tambourine shaking on the others, and a short lifetime of telling people not to call her “Lou Reed’s femme fatale.” Nobody even mentions that she was in “La Dolce Vita”! Several decades into a tortured and compelling solo career, and everything she does is still overshadowed by the one thing she did. The first 90 seconds of Susanna Nicchiarelli’s gloomy and grounded biopic visit all three of these periods (though the rest of it is almost exclusively set in the last one), “Nico, 1988” introducing its subject as someone who can’t extricate her present from her past. Twenty years after that, she sits in a Manchester radio station, patchy and strung out and shutting down any questions about her stint with The Velvet Underground - she’ll be dead in two years, but it looks as if she’s already decomposing. Twenty years later, she reappears as a blonde chanteuse in Andy Warhol’s New York City, her stage name attached to one of the most influential records in the history of popular music. A little girl stands on the outskirts of Berlin and watches from a distance as orange fire melts the city into a shapeless candied glow. ![]()
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